South African filmmakers are alarmed by issues with the cash rebate system, leading to unpaid claims and delayed applications. Protests have been staged to demand transparency and prompt action from the DTIC. Despite economic challenges, industry leaders remain hopeful for resolutions through improved communication with government officials.
Filmmakers in South Africa are raising urgent concerns regarding the country’s troubled cash rebate system. Industry representatives demand clarity and action over delayed claims and insufficient transparency from the Department of Trade, Industry and Competition (DTIC). The 25% cash rebate system faces significant challenges, primarily due to unexplained delays, leaving local filmmakers with millions of dollars in unpaid claims.
At a recent protest in Pretoria, numerous film industry professionals gathered to urge the DTIC to expedite the processing of rebate applications and settle outstanding payments, some of which date back up to three years. Joel Chikapa Phiri, the chairman of Known Associates Group, vocally demanded immediate resolution, emphasizing the urgent need for action from the government.
The picket was organized by various industry bodies, including the Independent Producers Organization and the Documentary Filmmakers Association, highlighting the collective frustration among filmmakers. Joel Phiri presented a memorandum detailing their concerns, calling for an improved rebate system that promises efficiency and reduced bureaucratic hurdles.
The film and television sector has significantly contributed to South Africa’s economy, employing approximately 60,000 workers and generating up to 10 billion rand annually before the pandemic. However, the pandemic’s disruption and subsequent rebate issues have left many projects in limbo, threatening the livelihoods of industry professionals.
The memorandum indicated that the lack of communication from the DTIC has exacerbated the challenges faced by the industry. The absence of a clear growth strategy hampers economic contributions, as noted in the document. Filmmakers expressed that navigating the financial landscape, even with a functional rebate system, has become increasingly arduous.
Nomsa Philiso, CEO of MultiChoice, shared her insights, stating that the DTIC’s delays have created significant difficulties for producers. She remarked, “Everybody is struggling because of the economy,” emphasizing the pressure on companies like MultiChoice to maintain operational continuity despite financial constraints.
The uncertainty surrounding the rebate system also affects Cape Town’s production services sector, as companies struggle to recover from the impacts of the pandemic and other global disruptions. Lynne-Anne Vosloo, CEO of Moonlighting Films, noted that despite a busy 2023, production levels have not returned to pre-pandemic numbers, contradicting expectations after recent strikes.
Industry competitors like Film Afrika have similarly felt the ramifications of tightened budgets in Hollywood, which impacted developmental projects. Despite such challenges, Netflix’s investment with productions like “One Piece” has provided a crucial boost, ensuring continued employment and activity in the sector.
However, ongoing rebate uncertainties have led firms like Film Afrika to pivot their negotiation strategies, exploring alternative value propositions over dependence on rebates. The lack of communication with the government remains a frustration, as professionals like Vosloo share that clarity is essential to serve client needs competently.
Following the protest, a proposal was made for regular dialogue between the DTIC and industry representatives, a move that may improve understanding moving forward. Tshepiso Phiri noted that communication with the department has started, indicating a potential pathway to resolve outstanding claims.
While optimism persists among industry members, they remain vigilant about the state of their sector. Philiso emphasized the resilience of the industry, affirming past recoveries from downturns as a testament to their strength. Meanwhile, the Joburg Film Festival is scheduled for March 11 – 16, promising to be a focal point for industry visibility and networking.
South African filmmakers are facing a critical situation due to significant delays in the cash rebate system overseen by the DTIC. Protests and calls for transparency have highlighted the urgent need for clarity and efficiency in processing claims. While the economic contributions of the film and television sector are substantial, ongoing challenges threaten the livelihoods of many. However, the proposal for direct communication with government officials offers a glimmer of hope for resolution and industry recovery.
Original Source: variety.com
