Iraq’s cultural events are struggling with low public turnout, primarily involving specialists. The Ministry of Culture organizes various activities, yet past political associations and the proliferation of cultural organizations hinder broader engagement. Critics suggest that thematic repetition and inadequate venue selection contribute to declining interest, urging a strategic shift to attract a wider audience.
Despite efforts by the Iraqi government to promote its cultural landscape, public attendance at cultural events remains disappointingly low, primarily attracting specialists. Ahmed Al-Aliawi, the spokesperson for the Ministry of Culture, indicated that the ministry supports various cultural activities, including literary festivals, theatrical performances, and art exhibitions. However, many events operate independently, limiting broader public engagement.
Mohammed Al-Kaabi, a poet and critic, believes that historical ties between cultural gatherings and governmental authority have diminished their relevance to everyday societal issues. He suggests that the proliferation of cultural organizations has led to audience disengagement, as many still view these events through a politically motivated lens. Notably, potential attendees, particularly university students, often miss opportunities for intellectual growth due to their fixation on social media.
Visual artist Mohammed Al-Mutairi noted that cultural activities tend to be isolated within specific artistic factions, with various disciplines like poetry and theater failing to engage a diverse audience. He pointed out that the International Book Fair stands out as a notable exception, successfully attracting a wide array of participants, including writers, academics, and students.
Zaki Al-Jaber, a theater artist, expressed concern over repetitive themes in festivals, which he believes contribute to waning interest. He observed that many attendees leave venues to smoke or socialize, resulting in empty spaces. Al-Jaber emphasized the necessity for a more dynamic approach to organizing events, urging a variety of topics, new voices, and accessibility to foster broader audience engagement.
In conclusion, Iraq’s cultural events face challenges regarding public attendance and overall engagement. Limited participation, influenced by historical perceptions and political associations, highlights a disconnect between cultural offerings and societal relevance. To revitalize interest, a strategic overhaul is necessary, promoting diversity in themes and inclusivity in audience participation.
Original Source: shafaq.com
